|
|
 |
|
|
|
|
|
The Perfectness and th Defect.
Exhibition: October 12th 2013 until February 1st 2014
The sixth international, interdisciplinary and topic centered exhibition of G.A.S-station.
40 positiones out of science, art and literature.
Joachim Bauer - Science | Manuela Beyer-Bunk - Bookproject | Edition Splitter, Batya Horn – Literature | Matthias Fitz - Installation | Ulrich und Johannes Frey - Science | Kathrin Gerlof and Julia Nowak – Literature/Photography | Michaela Göltl - Photography | Ulrich Gorsboth - Text | Viktor Gröger - Science | Maria Hanl – Object | Katja Keya Richter, Helge-Björn Meyer - Performance | Peter Helmke - Digitalprint | Institut Nid-de-Poule (Ursula Achternkamp, Verena Hahn, Katrin Schlitt) – Performance | Oliver Jacobi - Object | Harald Köhneke - Object | Markus Krug - Object | Marek Kucharski - Installation | Tilman Küntzel - Video | Albert Markert - Installation | Klara Meinhardt - Object | Edward Naujok - Objects | Wolfgang Neipl - Video | Oliver Orthuber - Installation | Stefan bc Ottermanns - Collage | Armando Pelliccioni - Painting | Herbert Pietschmann - Science | Stephan Puchegger - Science | Max Renneisen - Painting | Sandra Riche - Object installation | Stefan Riebel - Object | ro-lex (Alex Lebus and Robert Brandes) - Photography | Yvette Sánchez - Science | Steven Scott - Video installation | James A. Shapiro - Science | Herbert Christian Stöger - Video animation | Team K.U.SCH. - concept documentation | Burchard Vossmann - Object | Gisela Weimann - Work in progress.
The striving for perfection is generally viewed in a positive light. Yet what is perfectness? Is it the attainment of complete congruence between the mental concept of an ideal and its actual implementation? In the discipline of mathematics, perfectness is attainable – e.g. in the requirement of conformity between a set and its derivative. Yet can there also be “perfectness” in any other sense? Which ideal conceptions are concealed behind different kinds of perfectionsim? Does the urge for perfection – and for the avoidance of mistakes associated with it – also have an effect on society and the human psyche that needs to be critically examined?
The mind is unswerving in its search for mistakes: in texts, recited language, images, actions etc. Mistakes attract attention and at the same time fascinate, so that an erroneous expression can force its way to the fore, attracting more attention than the actual meaning and content. On the other hand, a small perturbation, or an apparently insignificant defect can determine the development of a whole system, or even cause its collapse. Yet is there also an illustrative or creative potential in defects?
|
|
|
|
|
|
|
|
|
|
|
|
Kindly supported by: |
|
|
|
|
|
|
|
|
|
 |
|
Herbert Christian Stöger
S-FEHLER, out of a foto sample from Josef Seidel, 2013 Video-animation, 9 min |
|
|
|
|
|
|
|
|
|
Manuela Beyer-Bunk
Die PERFEKTION in der KUNST. Durch TECHNIK. I + II. 95 Thesen. Ein Laborversuch. 2013 Book, digitalprint in limited edition of 100
|
|
|
|
|
|
|
|
 |
|
Marek Kucharski
Trades (We Will Never Again Be Together So Young), 2013
led lights, black high gloss floor tiles (30 X 60 cm), lightbox (3 x 4 cm) |
|
|
|
|
|
|
|
 |
|
Team K.U.SCH.
Der, die, das Glücksfehler, 2013 Conceptional installation, mixed media, clover behind glass, Fotodocumentation 30 x 42 cm |
|
|
|
|
|
|
|
 |
|
Klara Meinhardt
Beton, 2012/13 Object, concrete, coat, 60 x 70 x 20 cm |
|
|
|
|
|
|
|
 |
|
Gisela Weimann
Evas aktuelles Angebot: Geklonte Äpfel, aus der Werkgruppe "Vom Baum der Erkenntnis". Poll, work in progress, sence 1999
See also Weblogsite |
|
|
|
|
|
|
|
 |
|
Markus Krug
LAKUMA-055, 2013 Acrylic on paper, 40 x 30 x 4 cm |
|
|
|
|
|
|
|
 |
|
Burchard Vossmann
Used Out #1, 2012 176 carton out of cardboard box matches on carton, acrylic, 56 x 57,3 x 1,5 cm |
|
|
|
|
|
|
|
 |
|
Oliver Jacobi
ohne Titel, 1999 Installation, mixed media, ab. 12.500 peas, tabel, 93 x 80 x 80 cm |
|
|
|
|
|
|
|
 |
|
Armando Pelliccioni
Esplosione IV, enamel on canvas,
100 x 100 cm |
|
|
|
|
|
|
|
 |
|
Peter Helmke
Tod der Erdbeerblätter, 2011/12 RealScan, strawberry leafes, scanner, light and movements, 60 x 80 cm |
|
|
|
|
|
|
|
 |
|
Oliver Orthuber
Der Fehler schleicht sich in den Tempel der Perfektion ein, 2013 Object, mxed media, wood, plastic, moss, dowel, linoleum, metal, acrylic, oil, gouache,
50 x 50 cm (detail) |
|
|
|
|
|
|
|
 |
|
Tilman Küntzel
Up to the Stars – terrestrische Invasion, 2011 Experimental music video, 34:50 min |
|
|
|
|
|
|
|
 |
|
Wolfgang Neipl
Fancy Error, 2013 Installation, iPod, headphones, video, HD, 1080i, 16:9, 7:30 min |
|
|
|
|
|
|
|
 |
|
Matthias Fitz
electromagnetic plot, 2008 Soundvideoinstallation/Collage, loop,
4:58 min |
|
|
|
|
|
|
|
 |
|
Steven Scott
Electric City: A Modulated Image #2, 2011 Video, 2 min loop |
|
|
|
|
|
|
|
 |
|
Sandra Riche
Es wurde ihm oft übel, wenn er Seinesgleichen anschaute, 2004 Object installation, metalrasp, latex |
|
|
|
|
|
|
|
 |
|
Harald Köhneke
Das ist perfekt, hat aber noch gefehlt. heimatleiter, 2004/12/13 Object, wood 340 x 45 x 10 cm |
|
|
|
|
|
|
|
 |
|
Edward Naujok
Ohne Kommentar, 2013
High-grade steel, porcelain,
27 x 22 x 5 cm |
|
|
|
|
|
|
|
 |
|
Edward Naujok
Krumme Norm, 2013
Wood, silver, stone, 26 x 16 x 13 cm |
|
|
|
|
|
|
|
 |
|
Stefan bc Ottermanns
Royal Air Force Harrier GR7 ZD464, 2013 Foto with documentationbox,
45 x 27 x 20 cm |
|
|
|
|
|
|
|
 |
|
Stefan Riebel
Dead Pixel (#01),
Device: Hyundai / Imagequest, Model: B71A, Serial Number: B71ASAB962K 10578, 27 x 34 cm |
|
|
|
|
|
|
|
 |
|
Institut Nid-de-Poule
(Dr. Kat, Dr. Vau, Dr. Pfusch)
Out of the workshop of pothole science
Installation, mixed media, tabel (metal, wood), plaster, monitor, video, bubble. mobile Testing equipment - hand driven, foto.
ab. 150 x 45 x 60 cm |
|
|
|
|
|
|
|
 |
|
Kathrin Gerlof und Julia Nowak
Im Perfekt, 2011/13
Portrait von Jörg Bechtold, 10 Fotos and text, on capa, each
42 x 30 cm |
|
|
|
|
|
|
|
 |
|
Albert Markert
zu schön um war zu sein zu war um schön zu sein, 2013 Wallpaper, mixed media, 20 text-foto-collagen, each 20 x 30 cm |
|
|
|
|
|
|
|
 |
|
ro-lex (Alex Lebus und Robert Brandes)
Alienus II, 2011 Foto collage, inkjetprint, SK-Foly on capa, laminated, alu-profile,
120 x 90 x 5 cm |
|
|
|
|
|
|
|
 |
|
Alienus II, 2011 Foto collage, inkjet print, SK-Foly on capa, laminated, alu-profile,
120 x 90 x 5 cm |
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
Maria Hanl
optimize me – thank you, 2013 Pleated skirt, pleated, serigraphy on textile, ca. 2 x 2 m |
|
|
|
|
|
|
|
 |
|
Michaela Göltl
corseted, 2011 6 color fotos, lambda-print,
each 10 x 10 cm |
|
|
|
|
|
|
|
 |
|
Max Renneisen
Nudist Pageant (Three Graces), 2012 Oil on canvas, 200 x 150 cm |
|
|
|
|
|
|
|
|
|
|
|
|
Literature/Science: |
|
|
|
|
|
|
Ulrich Gorsboth
Einschnitt und Ausdruck - oder: Gedanken über das Merkmal der "Text"-Unterbrechung am Beispiel von Lacans Sitzungsmodell und anhand von Beispielen der Literatur und Kunst, 2013 Text
Herbert Pietschmann
Weltbild der Naturwissenschaft, 1983
Scientific Text
Stephan Puchegger
Der Fehler als Stärke der Naturwissenschaften, 2013
Scientific Text
Viktor Gröger
Wie Abweichung von der Perfektion Neues möglich macht – Gitterfehler im Festkörper, 2013
Scientific Text |
|
|
 |
|
Edition Splitter, Batya Horn
Handicap Schicksal und Chance [Eine Anthologie], 2011 Titelfoto: Frank Hegemann |
|
|
|
|
|
|
|
 |
|
Yvette Sánchez
Der bessere Fehler – als Programm oder Faktum Beitrag aus dem Buch "Fehler im System. Irrtum, Defizit und Katastrophe als Faktoren kultureller Produktivität", 2008 |
|
|
|
|
|
|
|
 |
|
James A. ShapiroEvolution
Book
A view from the 21st Century",
FT Press Science, New Jersey 2011 |
|
|
|
|
|
|
|
 |
|
James A. Shapiro
Four Articels
The significances of bacterial colony patterns,1995c
Bioessays 17,597-607
Thinking about bacterial populations as multicelluar organisms, 1998
Ann. Rev. Micobiol. 52, 81-104
Bacteria are small but not stupid: cognitation, natural genetic engeneering and socio-bacteriology. 2007
Stud. Hist. Phil. Biol. Sci. 38 (2007)
Letting E. coli teach me about genome engeneering, 2009 |
|
|
|
|
|
|
|
 |
|
Stephan Puchegger
Der Fehler als Stärke der Naturwissenschaften, 2013
Text |
|
|
|
|
|
|
|
 |
|
Viktor Gröger
Wie Abweichung von der Perfektion Neues möglich macht – GITTERFEHLER im FESTKÖRPER, 2013
Text |
|
|
|
|
|
|
|
 |
|
Herbert Pietschmann
Eris und Eirene: Anleitung zum Umgang mit Widersprüchen und Konflikten, 2002
Book
|
|
|
|
|
|
|
|
 |
|
Ulrich Frey und Johannes Frey
Fallstricke – Die häufigsten Denkfehler in Alltag und Wissenschaft, 2009
Book
Illustration: Elisa Asenbaum |
|
|
|
|
|
|
|
|
|
|
|
|
Futher more scientific contribution as book from: |
|
Joachim Bauer
Das kooperative Gen: Evolution als kreativer Prozess, 2010
Book
|
|
|
|
|
|
|
|
Information to the scientific contributions (part. in english) to download as pdf |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Events: |
|
|
|
|
|
|
|
|
|
 |
|
Katja Keya Richter, Heige-Björn Meyer
Hegel's Ästhetik. Eine Denkbewegung
Performance |
|
|
|
|
|
|
|
|
|
James A. Shapiro
Evolution - A view from the 21st Century", Videolecture, ca. 1.30 h |
|
|
|
|
|
|
|
 |
|
Institut Nid-de-Poule
(Ursula Achternkamp, Verena Hahn, Katrin Schlitt)
Performance |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Events: |
|
|
|
|
|
|
|
|
|
Vernissage 11th October 2013, 7 - 10 p.m.
8.00 Performance, Katja Keya Richter, Heige-Björn Meyer
Hegel's Ästhetik. Eine Denkbewegung
|
|
|
|
|
|
|
|
|
|
12th October 2013
4.00 - 5.00 KinderKulturMonats Berlin,special guided tour followed by a workshop to the exhibition for children. Age 4 to 12 years.
5.00 - 6.00 Guided tour to the exhibition with Elisa Asenbaum |
|
|
|
|
|
|
|
|
|
26th October 2013
2.00 - 6.00 KinderKulturMonats Berlin,special guided tour followed by a workshop to the exhibition for children. Age 4 to 12 years. Age 4 to 12 years. |
|
|
|
|
|
|
|
|
|
23rd November 2013
3.00 - 5.00 Guided tour to the exhibition with Elisa Asenbaum |
|
|
|
|
|
|
|
|
|
14th December 2013
3.00 - 4.30 Guided tour to the exhibition with Elisa Asenbaum
5.00 - 6.30 Videolecture, Revisiting Evolution in the 21st Century from James A. Shapiro. ab 1,5 h in englisch on big screen |
|
|
|
|
|
|
|
|
|
31st January 2014
5.00 - 7.00 Videolecture, Revisiting Evolution in the 21st Century from James A. Shapiro. ab 1,5 h in englisch on big screen |
|
|
|
|
|
|
|
|
|
1st February 2014, 2 - 11 p.m.
2.00 - 3.30 Guided tour to the exhibition with Elisa Asenbaum
4.00 - 5.00 Performance, Ab wann ist ein Schlagloch, ein gutes Schlagloch - Nid-de-Poule. (Dr. Kat, Dr. Vau und Dr. Pfusch)
6.00 - 6.45
Gisela Weimann „Früchte vom Baum der Erkenntnis“
Reading with pictures from all discussions contributions since 1999 to the project Vom Baum der Erkenntnis - Evas aktuelles Angebot: Geklonte Äpfel
7.15 - 8.00
Lecture, Yvette Sánchez
Mängel und Makel als Gestaltungsprinzip
8.30 - 9.00
Reading, Lebendiges Ersatzteillager, Herbert Christian Stöger
at 9.00 Finissage with Ina and Nina on the digital turntables |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
top page |
|
|
|
|
|
|
|
|
|
|
|
|
|
All catalogues and broshures
you may find now on the new Publications page
+++
ST/A/R
Newspaper for "Hochkultur, Mittelmaß und Schund"
aviable at G.A.S-station.
|
|
|
|
|
|
|
|
|
www.2gas-station.net © 2014
|
|
|
|
|
|
|
|
