G.A.S-station präsentiert im Schaufenster:
Astrid Nischkauer, Fensterdichtung. 11 Jahre kunsT und impulS in der G.A.S-station Berlin +Zwischen Freiheit und Diktatur die Wand
Astrid Nischkauer

Poems to pick. The poetic installation "Fensterdichtung" during the literature focus, 11 years of arT and impulsE at G.A.S-station, will be presented in the window of the G.A.S-station. Pictures of old masters gave her inspiration, the transposition from visual art to linguistic art opens resonance lines.

daily: 10 a.m.-8 p.m. from 1.10.2020

11 years of arT and impulsE at G.A.S-station Berlin
P.E.N.-Club Austria as guest / poetry role of 'Writer in Prison' (excerpt)
Poems by Writer in Prison: published in books by P.E.N.Austria
Design: Elisa Asenbaum

11 years of arT and impulsE at G.A.S-station Berlin
Austrian P.E.N.-Club at GAS-station with „Writers in Prison

The Writers-in-Prison Committee of PEN International was founded in 1960, in response to the threateningly growing number of countries that try to silence writers through repression. It occupies a special position in PEN International, stands up for human rights and is a personalised seismograph: Individuals who do nothing but express their conscience-bound opinions and are persecuted for it are made known so that the world knows what injustice is being done to them. Literature is always personalized and individualized.

The Austrian P.E.N. Club was founded in June 1923, just two years after the International P.E.N. Club, making it the oldest authors' association in Austria.

PEN Austria was invited to the G.A.S-station for the literature focus 2020. Due to the Covid-19 pandemic, the events will now take place on 9th and 10th October 2020.

daily: 10 a.m.-8 p.m. from 29.4.2020

11 years of arT and impulsE at G.A.S-station Berlin
11 years of arT and impulsE at G.A.S-station Berlin
Opening 12th October 2019

In 2007 we wrote down our ideals and goals in the form of intentions and published them on our website. Now, twelve years later, we want to give an overview of the 11 years of the exhibition and its development. The publications of the works of over 350 art, literature and science contributors will be presented on space-filling, large objects, whereby our publications will be transformed into three-dimensional objects. All works will be shown in this special presentation once again and we invite the contributors to participate in the project (wall cycle and events) and to celebrate with us!

daily: 10 a.m.-8 p.m.

Zwischen Freiheit und Diktatur die Mauer im Das Fenster
Ulli Klepalski MAXIE MÖBEL, 2017
Mixed media on paper

daily: 10 a.m.-8 p.m. / 5.6.-23.8.2019

Zwischen Freiheit und Diktatur die Mauer im Das Fenster
Between freedom and dictatorship | the wall, 2018
Design Josef im Das Fenster
DesignJosef, 2018

Print on board, 75x50 cm

Schein und Spiegelung im Das Fenster
Reflection and Appearance, a Relation-Position Project, 2018
Harald Köhneke im Das Fenster
E.A.&TMS, ICH, 2018
golden fabric , grease on glass

Reflection and Appearance, a Relation-Position Project 2018
(Schein und Spiegelung, ein Relationspositionsprojekt)
Positiones in art, science and literature.

“The whole is not more than the sum of its parts, but something different!”

Harald Köhneke im Das Fenster
Spiegel Schein, 2017 - Poem: E. Asenbaum

Reflection and Appearance, a Relation-Position Project 2018
(Schein und Spiegelung, ein Relationspositionsprojekt)
Positiones in art, science and literature.

“The whole is not more than the sum of its parts, but something different!”

The relation-position project refers to this thesis and with its corresponding theme of appearance and reflection attempts to visualise the connection between relative references and their possibilities of interpretation via its organically growing development process.
The word Schein (appearance, but also shine) alone is ambiguous, it can be conceived as glowing or aura of light, but also as deceit, imposture, ostensibly presenting something which at closer inspection turns out to be insubstantial. Illusion and deception are not only used persuasively in the animal kingdom, but also are common practice especially in our fast-paced culture of oversupply where they find easy prey.
One sees the things that lying behind oneself, thus making it a glimpse of the past.

Harald Köhneke im Das Fenster
Harald Köhneke - Haltestelle, 2017

A Stop. A place, where you wait for transportation, for bus, tram or train; a well known and well defined place is connected and filled with expectation of enforced hold. Harald Köhneke adopt the shape of a typical bus stop; by installing it inside an art place he dispossess it of its meaning. Indoors the stop in its usual scale seams to be much taller, it divides the space into two halves. In the back of the construction you find a door to enter the stop-hemisphere behind. By a closer look, the building material turns out as silver coated square timbers and transparent foil. Details that have been kept holding up the familiar impression of a stop.

Another deformed 'stop' is placed at the public space in front of the G.A.S-station. You can stand and wait in this place under a little roof.

Waiting for what?

A sign at the back of the stop shows:

This Stop is
only for to a-wait


AUGUSTINAselbst im Das Fenster
AUGUSTINAselbst, 2016
G.A.S-station, Das Fenster, Peter Funken
Richard Burkart, out of the seria “GROSSSTADTPOESIE“, 2016
G.A.S-station, Das Fenster, Peter Funken
Peter Funken
Doppelter Schein (double appearance) – a triptych, 2016
(120~50 cm, acrylic on canvas)
G.A.S-station, Das Fenster, Albert Markert
Calla Mar, Crystal Sprawl (Identity 4-1), 2015
(seria out of 4 works, digital print á 80 x 60 cm)
In September 2016 we showed one of the last works from Calla Mar who passed away very much to soon.
We´ll miss here.
G.A.S-station, Das Fenster, Albert Markert

x|y|z:Spaceproject (for Augustina) for fine art und new media
8th.-21st June 2016

G.A.S-station, Das Fenster, Ulrike van de Löcht
Ulrike van de Löcht,
ELAN, 2016 Carrara Marble, 40x30x25 cm
4th - 30th April 2016
G.A.S-station, Das Fenster, Richard Burkart, 2016
Richard Burkart, Out of the cycle “B.U.B.; BABYLON-ULYSSES-BERLIN", 2003-09
Four collages out of about 1500 pcs.
5th-29th March 2016
G.A.S-station, Das Fenster, Julia Asenbaum, 2016
Julia Asenbaum, Das ICH ist Schnecke geworden, 2014

“Augustina sitzt im Terrarium, am linken Rand festklebend, und diskutiert mit den anderen über die schlechte Empfangsverbindung, das ICH ist Schnecke geworden.“

black ink, pencil on board

G.A.S-station, Das Fenster, Enzo Enzel, 2015
Enzo Enzel, "MOST WANTED", 2015
Fineartprints, 2 x A4
9.-15.9. 2015
G.A.S-station, Das Fenster, Oliver Orthuber Turmartige Parasexualität, 2015
Oliver Orthuber, Turmartige Parasexualität, 2015

acrylic on plastic, cardboard, foam, ca. 28 x 15 cm
5th May - 20th June 2015

G.A.S-station, Das Fenster, sie träumt ODER, ODER träumt sie, E.Asenbaum-Tomax, Installation
Jan Rehwinkel, without titel, 2015

In Jan Rehwinkel’s pictures, drawings and films it is about reduction. He see a challenge in painting black on black: "The color nuances of the various materials release a variety in detail. It´s about alternation between control and unpredictability."

The actual presentation behind reflecting glass on transparent paper expands another variable into the picture. It is supporting the attempt to remove the border between drawing and film, through the mirroring and reflections of the surrounding, permanently adding changing images. These imposing images from the outside is a light from the inside opposed - similar to film. Is the image moving? For sure another one in the window does: an animated figure, white on black, apparently detached from everything.

print on ransparent paier, 84 x 59 cm, video, b/w, loop
14th March - 30th April 2015

G.A.S-station, Das Fenster, she dreams OR, OR is she dreaming, E.Asenbaum-Tomax, Installation
E. Asenbaum & Tomax, she dreams OR, OR is she dreaming, 2014/15
Thrown out of the everyday life routine from sentence stems, peaces of thoughts,
like in a dream, a irritation. 19.11.2014-27.2.2015
G.A.S-station, Das Fenster, Burchard Vossmann, Jungle Concrete, Installation
Burchard Vossmann, “Jungle Concrete”, 2014
In x|y|z:Roomproject - Jungle Concrete at G.A.S-station Burchard Vossmann was for the first time expanding his working method into the entire exhibition space. As primary material were used original vinylrecords and covers out of the collection from the former Dschungel Club Berlin. - 12.8.-26.9. 2014.
G.A.S-station, Das Fenster, E.Asenbaum-Tomax, Installation
E. Asenbaum -Tomax
"muss man schon ein muster sein um unverkäufl-ich zu werden"
"Must we correspond to an model not to be for sale", 2002/2014,
Ceramic, enameled, each 39 x 39 x 3,4 cm (Aufl. 1-2-3 / 12) - 28.6.-3.8.2014
G.A.S-station, Das Fenster, K.U.SCH., Kasperl, Death and Devil, 2010/14
Kasperl, Death and Devil, 2010/14, text
Paper and board 100 x 22 cm, gold colored rag, 150 x 100 cm. 29th April until 16th June 2014

K.U.SCH. (Renate Krätschmer, Jörg († 16. Dez. 2013) and Sito Schwarzenberger). The installation was made upon a text spoken by Jörg Schwarzenberger, during the last joint performativ work of K.U.SCH. with Jörg (MUSA 2010, Wien Österreich).

G.A.S-station, Das Fenster, Marko Zink, sporthose, 2009
Marko Zink, sporthose, 2009
Alu-Dibond print on Diasec, behind acrylic, 70 x 45 cm -
18.2 until 20.4. 2014
G.A.S-station, Das Fenster, Johann Büsen, LOOP
Johann Büsen, LOOP
Digital print and videoanimation on monitor. April 19th until May 2nd 2013
G.A.S-station, Das Fenster, Burchard Vossmann, Black Stripes
Burchard Vossmann Black Stripes, 2011
Collage on wood (2-parts), 150x100x6 cm March 8th until April 5th 2013
Das Fenster, Heike Nösslböck, Sinnlose Lackierungen, 2011-12
Heike Nösslböck, senseless coatings, 2011/12,
different objects coated (February 8th until 1st March 2013).

Beside her work with video Heike Nösslböck realize since couple of years also works with objects.
Das Fenster, Ralph Bageritz, Muhammad Ali, 2010
Ralph Bageritz "Every Human Being is a Stealer!", 2010, from the seria Metaphysik des Verschwindens,
Lentikularbild, Lambdaprint behind Linsenraster on MDF, 102 x 102 cm. (Sept. UNTIL OCt. 2012)
Das Fenster, mühsam & kraus, fashion weak, 2012, 2012
mühsam & kraus (Tomax & Ina Krauß), "fashion weak", 2012
Installation, two Jeans (m: used 2008-2012, f: used 2006-2012), two mirrors.
„Fashion week“ was yesterday, fashion weak is today. The Installation from mühsam & kraus mirrors more than fashion trend, mainstream and industrial production. The Objects are reflecting stories.
Until they are falling apart...
Das Fenster, Mirko Tzotschew, AREA 1.7.01, Abstract Industrial Landscape I&II, 2012
Mirko Tzotschew, "AREA 1.7.01 – Abstract Industrial Landscape I & II", 2012, Installation, photo 92x100 cm, wood.
Abstraktion von Industrielandschaften. July 3rd until August 7th 2012 (special: Fr. 13.7. - 4-9 p.m., "Abend des Lobes und der Kritik").
G.A.S-station präsentiert im Schaufenster:
Stephanie Hanna, two sides: das bild vom anderen, der himmel ist für alle gleich, 2011,
foto und acrylic on canvas, mixed media, video 13:20 min. Installation august-september 2011.
G.A.S-station präsentiert im Schaufenster:
Peter Funken, "Städte im Fenster", drawings on paper 2010/11, installation july-august 2011
G.A.S-station präsentiert im Schaufenster:
Helen Acosta Iglesias “Macht Nichts“, 2010, 2.650 Strohhalme und Tesafilm, installation may 2011
G.A.S-station präsentiert im Schaufenster:
Stephanie Hanna, “Eine kleine Geschichte von Form und Inhalt”, Installation, april 2011
nach oben © 2017